English 4245-01, Jane Austen, Spring 2014, MWF, 9:00 - 9:50 am, BU 111

Dr. Eric W. Nye,  Office Hours: MWF 10:00 - 11:00 am or by appt., Hoyt Hall 308, 766-3244

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Syllabus

Mon., 13 Jan.:

Introduction to course, grades, books.  Why read Austen?  Mark Edmundson, "Teaching the Truths," Raritan (2003), rptd. in Why Teach? In Defense of a Real Education (2013).  The way to remember that her name is AUSTEN (not Austin), is that she wrote nov-E-ls, not nov-I-ls.

Austen in context. Some of the following:

Alexander Pope, "An Essay on Criticism" (1711).
Thomas Gray, "Ode on a Distant Prospect of Eton College" (1747) NAEL8 1:2863-65 and "Elegy Written in a Country Church-yard" (1751) NAEL8 1:2867-70  and "The Bard: a Pindaric Ode" (1757), see John Martin's oil rendition, 1817.
Samuel Johnson, Preface to The Works of William Shakespeare (1765)
William Cowper, "The Castaway" (1799), NAEL8 1:2895-97.

Common Measure and the Hymn
18th C English Hymnody
Classic and Romantic music
A Note on English Titles

Download the free Jane Austen manuscript font

Tues., 14 Jan.:  7 pm Classroom Building 129, Jane Austen Society at the University of Wyoming, formational meeting (bring a friend).
 

Wed., 15 Jan.:

Marilyn Butler, "Jane Austen," in Oxford Dictionary of National Biography (2004).
Alistair Duckworth, "Jane Austen and the Conflict of Interpretations," in Jane Austen: New Perspectives, ed. Janet Todd (NY: Holmes and Meier, 1983).

Horace Walpole, The Castle of Otranto (1764).
Ann Radcliffe, The Castles of Athlin and Dunbayne (1789).

Fri., 17 Jan.: 

Isobel Grundy, "Jane Austen and Literary Traditions," in The Cambridge Companion to Jane Austen, ed. Edward Copeland and Juliet McMaster (Cambridge: Cambridge University Press, 1997), pp. 189-210.

Robert Burns, "Tam o'Shanter" (1791).
Samuel Taylor Coleridge's two anonymous essays on M. G. Lewis, The Monk (1796), and Radcliffe's, The Italian (1798)
Coleridge, Christabel (1798-1816).
Walter Scott, Lay of the Last Minstrel (1805) .

Short Reports assigned, due 24 and 27 January.

Tues., 21 Jan.:  7 pm, Classroom Building, room 129:  extracurricular showing of Oliver Goldsmith's, She Stoops to Conquer (1773).
 

Wed., 22 Jan.:

Love and Freindship [sic]: a Novel in a Series of Letters (1790),  pp. 75-106 (OWC), also Introduction, pp. ix-xxxviii.  See photos and transcriptions of original in British Library, Add. MS. 59874

Northanger Abbey (1818), vol. 1, pp. 5-87 (NCE).  Click here to read a color facsimile of the 1818 first edition.

Fri., 24 Jan.:   

Northanger Abbey (1818), vol. 1, continued

Short Reports handout due.

Mon., 27 Jan.:  

Northanger Abbey (1818), vol. 2, pp. 88-174 (NCE).

Tues., 28 Jan.:   7 pm, Classroom Building, room 129:  extracurricular showing of Richard Brinsley Sheridan's, The School for Scandal (1777).
 

Wed., 29 Jan.: 

Northanger Abbey (1818), concluded.

George Gordon, Lord Byron Hours of Idleness (1807), ed. Peter Cochran. 

Short Reports paper one due.

Cassandra Austen (1773-1845), Jane Austen (1804), watercolor, private collection.

Fri., 31 Jan.:    

Sense and Sensibility (1811), vol. 1, pp. 5-98 (NCE). 
Genealogies from Pemberley website.  Ellen Moody's Sense and Sensibility Chronology, from Philological Quarterly 79 (Fall 2000): 233-66. 
Coleridge on Sensibility and Benevolence (1796).

Mon., 3 Feb.:   

Sense and Sensibility (1811), vol. 1, continued.
Edward Ferrars reads Cowper.("The Castaway").   Willoughby reads Shakespeare (Sonnet 116).   Col. Brandon reads Spenser (FQ 5.2.39:4-8).  The texts. 
 

Tues., 4 Feb.:  7 pm Classroom Building 129, extracurricular showing of  ITV's, Northanger Abbey (2008), screenplay by Andrew Davies.
 

Wed., 5 Feb.:   

Sense and Sensibility (1811), vol. 2, pp. 99-180 (NCE).
 

Fri., 7 Feb.: 

Sense and Sensibility (1811), vol. 2, continued.

Fri., 7 Feb.:  Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.  Listen to the Grandview Orchestra perform the "Duke of Kent's Waltz."

Mon., 10 Feb.: 

Sense and Sensibility (1811), vol. 3, pp. 181-269 (NCE).

Paper two assigned, due Fri., 21 Feb.

Tues., 11 Feb.:  7 pm, Classroom Building, room 129, extracurricular showing of BBC's, Sense and Sensibility (2008), screenplay by Andrew Davies.  See also the video interview with Andrew Davies, "Longing, Betrayal, & Redemption," about how he adapts the novels for the screen.

Wed., 12 Feb.:  

Sense and Sensibility (1811), vol. 3, continued.
 

Fri., 14 Feb.: 

Sense and Sensibility (1811), review.   Click here to read a color facsimile of the 1811 first edition.
Coleridge, "Dejection: an Ode" (1802), William Wordsworth, "Ode: Intimations of Immortality" (1802-04) and "The Solitary Reaper" (1807).

Sun., 16 Feb.: Extracurricular Regency Dance Workshop, 2-5 pm, The Odd Fellows Hall, 319 E. 4th St., Loveland, CO, Cost:  $8.00 per person.

Glen Baxter

Mon., 17 Feb.: 

Pride and Prejudice (1813), vol. 1, pp. 3-89 (NCE). 
Mr. Darcy at the Meryton assembly, according to British comedians David Mitchell and Robert Webb.
Mr. Beveridge's Maggot at Netherfield, Colin Firth & Jennifer Ehle (BBC, 1995), pp.61-62.  See the choreography here.
Anne Hathaway in Becoming Jane (2007).
The Duke of Kent's Waltz.  See the choreography here.
John Sutherland, "Who Betrays Elizabeth Bennet?," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 17-22, 246.

Tues., 18 Feb.:  7 pm, Classroom Building, room 129, extracurricular showing of

Wed., 19 Feb.:  

Pride and Prejudice (1813), vol. 2, pp. 89-158 (NCE).

Fri., 21 Feb.: 

Pride and Prejudice (1813), vol. 3, pp. 158-254 (NCE).

Paper two due.
 

Mon., 24 Feb.: 

Pride and Prejudice (1813), review.

Tues., 25 Feb.:  7 pm, Classroom Building, room 129, extracurricular showing of

Wed., 26 Feb.:   see Bal Masqué dancing Knole Park. and What Jane Saw on 24 May 1813 in London.

Midterm review.

Midterm Exam Part 1 distributed.

Fri., 28 Feb.:  Midterm

Midterm Exam, Part 1 (take home essays) due.
Midterm Exam, Part 2 (in class).

Mon., 3 Mar.: 

Lady Susan (c. 1805), pp. 41-103 (PCE).  See facsimile of Austen's holograph MS at the Morgan Library.  And check out the Jane Austen Fiction Manuscripts Digital Edition.

Jane Austen, Lady Susan, autograph manuscript, written ca. 1794-95 and transcribed in fair copy soon after 1805. The Morgan Library & Museum, Purchased in 1947; MA 1226.

Wed., 5 Mar.: 

Lady Susan (c. 1805), continued.

Paper three assigned, due Wed., 26 Mar.  

The Rice Portrait of Jane Austen c. 1788 by Ozias Humphry, RA (1742-1810), failed to sell at Christie's in 2007 with a reserve of £350,000,
subsequently authenticated by Claudia Johnson, Times Literary Supplement, 30 August 2013.

Fri., 7 Mar.: 

Kotzebue/Inchbald, "Lovers' Vows" (1798), NCE pp. 329-75.  Cowper, Tirocinium: or a Review of Schools (1784).  Wordsworth, "Simon Lee" (1798) and Coleridge, "Frost at Midnight" (1798).
Mansfield Park (1814), vol. 1, pp. 5-120 (NCE) .

Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.  Listen to the Grandview Orchestra perform the "Duke of Kent's Waltz."

Sun., 9 Mar.: Extracurricular Regency/Lewis & Clark Costume Ball, 3 pm, dancing from 4-7 pm, Fort Collins Senior Center, 1200 Raintree Drive, Fort Collins, CO, Cost: $20.00 per person.  The Many Lovers of Miss Jane Austen (2011), BBC.

Mon., 10 Mar.: 

Mansfield Park (1814), vol. 1, continued.
John Sutherland, "Pug: Dog or Bitch?", in Can Jane Eyre Be Happy? More Puzzles in Classic Fiction (Oxford, 1997), pp. 31-36, 226.

Wed., 12 Mar.:   

Mansfield Park (1814), vol. 2,  pp. 121-210 (NCE).
John Sutherland, "What do We Know about Frances Price (the First)?," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 23-27, 246-48.

Fri., 14 Mar.: 

Mansfield Park (1814), vol. 2, continued.
William Butler Yeats, "A Prayer for my Daughter" (1919)

Mon., 24 Mar.:   

Mansfield Park (1814), vol. 3,  pp. 211-321 (NCE).
John Sutherland, "Where does Sir Thomas's Wealth Come From?," in Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Literature (Oxford, 1996), pp. 1-9, 244-45.

Tues., 25 Mar.:  7 pm, Hoyt Hall, room 215: extracurricular showing of Miss Austen Regrets (2008, BBC), Olivia Williams enacts scenes from Austen's life, using a script based on the surviving letters.  Written by Gwyneth Hughes and Emma Thomas.
 

Wed., 26 Mar.: 

Mansfield Park (1814), vol. 3, continued. 
Eric W. Nye, "Absent Signifiers in Jane Austen: Toward an Archaeology of Morals," Eighteenth-Century Life 35:3 (Fall 2011): 81-88.


James Stanier Clarke (1765-1834), Domestic Chaplain and Librarian to the Prince of Wales, alleged watercolor portrait of
Jane Austen on the occasion of her visit to Carlton House, 13 November 1815, contained in his Friendship Book (6 1/4" x 3 3/4")

Fri., 28 Mar.: 

Emma (1816), vol. 1,  pp. 5-106 (NCE)
Wordsworth, "The Old Cumberland Beggar" (1798-1800).

John Sutherland, "Apple-blossom in June?", in  Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Literature (Oxford, 1996), pp. 14-19, 246; and "Apple-blossom in June--again," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 28-33, 248.

Paper three due   JASNA 2013-2014 Essay Contest.

Sat., 29 Mar.: Extracurricular Community Dance at Quadra-Dangle Square Dance Club 3905 Grays Gable Rd., Laramie, WY, 7:00 to 9:00 pm.  Cost: $10.00 per person or $5.00 with student ID!  For questions or information, call Lew Lyon at 307-742-5960.

Mon., 31 Mar.: 

Emma (1816), vol. 1, continued.
Wayne Booth, "Control of Distance in Jane Austen's Emma" from Rhetoric of Fiction (1961) reprinted in The Essential Wayne Booth (2006).
 

Wed., 2 Apr.: 

Emma (1816), vol. 2,  pp. 107-216 (NCE).
John Sutherland, "How Vulgar is Mrs Elton?" in Can Jane Eyre Be Happy? More Puzzles in Classic Fiction (Oxford, 1997), pp. 37-41, 226.


 

Fri., 4 Apr.:

Emma (1816),vol. 2, continued.  Click here to read a color facsimile of the 1816 first edition.

Paper four prospectus assigned.  Hints on beginning research for an Austen paper.

Mon., 7 Apr.: 

Emma (1816),vol. 3, pp. 217-333 (NCE).

Wed., 9 Apr.: 

Emma (1816),vol. 3, continued.

Cassandra Austen (1773-1845), Jane Austen (c. 1810), watercolor, National Portrait Gallery, London

Fri., 11 Apr.:

Persuasion (1818), vol. 1,  pp. 3-85 (NCE).  Click here to read a color facsimile of the 1818 first edition.

Mon., 14 Apr.: 

Persuasion (1818), vol. 1, continued. 
Wordsworth, "Tintern Abbey" (1798)Hannah More, "The Shepherd of Salisbury Plain," from Cheap Repository Tracts (1795).

Tues., 15 Apr.:  7:00 pm, Hoyt Hall, room 215:  Extracurricular showing of BBC's, Persuasion (1995), screenplay by Nick Dear.

James Andrews, Portrait of Jane Austen (1869), commissioned by her nephew Rev. James Edward Austen-Leigh to accompany his biography of her,
sold at Sotheby's 10 December 2013 for £164,500; image to appear on £10 note in 2017

Wed., 16 Apr.:

Persuasion (1818), vol. 2,  pp. 85-178 (NCE).

Mon., 21 Apr.:

Persuasion (1818), vol. 2, continued.  See the draft of the original ending in manuscript from the British Library.


The "Wedding Ring Portrait" engraved for Everet A. Duyckink's
 Portrait Gallery of Eminent Men and Women of Europe and America (1873).
Based on Lizzars' engraving of the portrait by James Andrews of Maidenhead.

Wed., 23 Apr.: 

The Watsons (1803-05),  pp. 105-52 (PCE).  And see the original manuscript from Oxford's Bodleian Library at the Jane Austen Fiction Manuscripts Digital Edition.
 

Fri., 25 Apr.:

The Watsons (1803-05), continued.

Paper four due.

The Ball, JASNA 2010 AGM, Fort Worth, TX, from BBC's The Many Lovers of Miss Jane Austen (2011)

Mon., 28 Apr.: 

Sanditon (1817), pp. 153-211 (PCE).  And see the original manuscript from King's College, Cambridge, at the Jane Austen Fiction Manuscripts Digital Edition. 

Wed., 30 Apr.: 

Sanditon (1817), continued.  Rudyard Kipling, "The Janeites," Hearst's International, MacLean's, and the Story-Teller Magazine, May 1924, collected in Debits and Credits (1926).

Fri., 2 May: 

Review.

Sun., 4 May:  Garden Party to celebrate the 200th anniversary of the publication of Mansfield Park.  Details tba. 

 

Final Exam: Monday, 5 May, 8:00 to 10:00 am in our usual classroom.

Required Books:

The following six novels will be bundled for roughly a 30% savings in cost (ISBN 978-0-393-91743-7): UW $79.20 new bundled

Jane Austen, ed. Susan Fraiman. Northanger Abbey (1818) (New York: W. W. Norton, paper, 2004, Norton Critical Edition). 978-0-393-97850-6 Online price: $15.62

Jane Austen, ed. Claudia L. Johnson. Sense and Sensibility (1811) (New York: W. W. Norton, paper, 2001, Norton Critical Edition). 978-0-393-97751-6 Online price: $15.62

Jane Austen, ed. Stephen M. Parrish. Pride and Prejudice (1813) (New York: W. W. Norton, paper, 3rd edn., 2001, Norton Critical Edition). 978-0-393-97604-5 Online price: $13.09

Jane Austen, ed. Claudia L. Johnson. Mansfield Park (1814) (New York: W. W. Norton, paper, 1998, Norton Critical Edition). 978-0-393-96791-3 Online price: $14.51

Jane Austen, ed. George Justice. Emma (1816) (New York: W. W. Norton, paper, 4th edn., 2011, Norton Critical Edition). 978-0-393-92764-1 Online price: $16.25

Jane Austen, ed. Patricia Meyer Spacks. Persuasion (1818) (New York: W. W. Norton, paper, 2nd edn., 2012, Norton Critical Edition). 978-0-393-91153-4 Online price: $15.36

Jane Austen, ed. Margaret Drabble. Lady Susan, The Watsons, and Sanditon (New York: Penguin Books, paper, 1974, Penguin Classics Edition). 978-0-140-43102-5 Online price: $8.64

Jane Austen, ed. Margaret Anne Doody & Douglas Murray. Catharine and Other Writings (New York: Oxford World's Classics, paper, 2009). 978-0-199-53842-3 Online price: $10.26

Paula Byrne. The Real Jane Austen: A Life in Small Things (New York: Harper Collins, paper, 2013). 978-0061999109  Online price: $15.29

Optional Books:

Abrams, M. H. & Geoffrey Harpham. A Glossary of Literary Terms, 10th edn. (NY: Thomson Heinle, paper, 2011). 978-0495898023

Joan Klingel Ray.  Jane Austen for Dummies (NY: Wiley, 2006).  978-0-470-00829-4

Deidre Le Faye.  Jane Austen the World of Her Novels (London: Frances Lincoln, 2003).  978-0-711-22278-6

Josephine Ross.  Jane Austen: a Companion (New Brunswick, NJ: Rutgers University Press, 2007). 978-0-813-53954-6

Jane Austen, ed. Deirdre Le Faye.  Jane Austen's Letters (Oxford: Oxford University Press, paper, 1997). 978-0-192-83297-9.  See also Molland's online subject index to this edition. 

Blogs and other links:

Jane Austen Criticism Online

Jane Austen Society of North America (JASNA)

Jane Austen Society of the University of Wyoming (JASUW)

Jane Austen Society (United Kingdom)

The Republic of Pemberley

Jane Austen Today

Jane Austen's World

Jane Austen Centre (Bath)

Hyper-concordances of all Jane Austen's novels

 

Course Description:

In an age of revolution, experimentation, and dissolution of received literary forms, Jane Austen rescued the novel and demonstrated its suitability for the most comprehensive and humane literary purposes. With exquisite craftsmanship she raised the stakes for her nineteenth-century successors in the novel, and her audiences have been faithful ever since. We will examine her antecedents in the eighteenth-century, the complex cultural milieu in which she emerged, and the range of critical opinion she has evoked over the past two centuries. Why are people admitting, today more than ever, that they love Jane Austen?

Course Objectives:  

1. Comprehend the history of the language, its grammar and syntax, the arts of rhetoric, and the conventions of expository writing
2. Read extensively in canonical literature while learning to question the status and historical formation of the canon: master literary periods, terms, and major authors
3. Read intensively with formal concentration, discerning the quality of different literary modes and styles: know the historical conventions of literary form and be able to differentiate literary styles
4. Extend these methods of analysis to new works outside the canon and to works outside the sphere of conventional textuality
5. Understand various modes of literary criticism and be able to devise appropriate critical theses both in writing and conversation: know the major schools of criticism and be able to replicate their interpretative strategies
6. Show intelligence, imagination, and creativity in the formation and support of original literary interpretations
7. Relate the history of literary creativity to allied fields of humane activity: politics, arts, philosophy, theory and culture in general.

Grading Standards:

Class participation and take home exercises (numerical, total 5% of final grade), Quizzes on assigned readings (numerical, total 10%), essays and presentations (letter-grade, total 45%), midterm exam (half objective-numerical, half essay letter-grade, total 20%), final exam (half objective-numerical, half essay letter-grade, total 20%). The final course grade is determined from the weighted total of the above in accordance with usual academic standards (ex: 90-100=A, 80-89=B, etc).

Attendance policy:

University-sponsored absences are cleared through the Office of Student Life.  Attendance is essential in a class like this. You will be allowed one absence by prior arrangement for personal business reasons. For that and any subsequent officially authorized absence you will be required to make up additional work and must contact me. Two unexcused absences will signify that you do not intend to pass the class.  This policy accords with UW Regulation 6-713.

Academic Honesty is strictly enforced according to UW Regulation 6-802 "Procedures and Authorized University Actions in Cases of Student Academic Dishonesty".

The Student Code of Conduct may be found by linking to the Dean of Students Office page.

Disability Statement: If you have a physical, learning, sensory or psychological disability and require accommodation, please let me know as soon as possible. You will need to register with, and provide documentation of your disability to University Disability Support Services (UDSS) in SEO, room 330 Knight Hall.

Any changes to the syllabus will be announced in class or on this course website, where the date of most recent revision follows:

Last updated: 21-Nov-14

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