English 4245, Jane Austen, Autumn 2016, MWF, 1:10 - 2:00 pm, Hoyt Hall 125

Dr. Eric W. Nye,  Office Hours: MWF 9:50 - 10:50 am or by appt., Hoyt 242, no telephone

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A convergence of events: Jane Austen's 241st Birthday and the Autumn 2016 Final Exam in English 4245: 16 December 2016

Syllabus

Mon., 29 Aug.:

Introduction to course, grades, books.  Why read Austen?  Mark Edmundson, "Teaching the Truths," Raritan (2003), rptd. in Why Teach? In Defense of a Real Education (2013).  The way to remember that her name is AUSTEN (not Austin), is that she wrote nov-E-ls, not nov-I-ls.

The Many Lovers of Miss Jane Austen (2011), BBC.  All episodes but the first are available on YouTube.

Austen in context. Some of the following:

Alexander Pope, "An Essay on Criticism" (1711).
Thomas Gray, "Ode on a Distant Prospect of Eton College" (1747) NAEL8 1:2863-65 and "Elegy Written in a Country Church-yard" (1751) NAEL8 1:2867-70  and "The Bard: a Pindaric Ode" (1757), see John Martin's oil rendition, 1817.

Wed., 31 Aug.:

Samuel Johnson, Preface to The Works of William Shakespeare (1765).
William Cowper, "The Castaway" (1799), NAEL8 1:2895-97.

Common Measure and the Hymn.
18th C English Hymnody.
Classic and Romantic music.
A Note on English Titles.

Download the free Jane Austen manuscript font.

Short Reports and Paper One assigned, reports due Fri., 9 Sept. and papers due Wed., 14 Sept.

Fri., 2 Sept.:

Marilyn Butler, "Jane Austen," in Oxford Dictionary of National Biography (2004).
Alistair Duckworth, "Jane Austen and the Conflict of Interpretations," in Jane Austen: New Perspectives, ed. Janet Todd (NY: Holmes and Meier, 1983).

Tues., 6 Sept.:  8:45-11 pm, Hoyt Hall, room 125:  extracurricular showing of Oliver Goldsmith's, She Stoops to Conquer (1773).  Also available on Netflix.  Jane Austen Club at the University of Wyoming, formational meeting (bring a friend). 

Wed., 7 Sept.:

Horace Walpole, The Castle of Otranto (1764).
Ann Radcliffe, The Castles of Athlin and Dunbayne (1789).

Fri., 9 Sept.:

Isobel Grundy, "Jane Austen and Literary Traditions," in The Cambridge Companion to Jane Austen, ed. Edward Copeland and Juliet McMaster (Cambridge: Cambridge University Press, 1997), pp. 189-210.

Short Reports handout due. 

Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.

Mon., 12 Sept.:

Short reports presented in class.

Tues., 13 Sept.:   8:45-11 pm, Hoyt Hall, room 125:  extracurricular showing of Richard Brinsley Sheridan's, The School for Scandal (1777).

Wed., 14 Sept.:

Love and Freindship [sic]: a Novel in a Series of Letters (1790),  pp. 75-106 (OWC), also Introduction, pp. ix-xxxviii.  See photos and transcriptions of original in British Library, Add. MS. 59874

Short Reports paper one due.

Fri., 16 Sept.:

Love and Freindship [sic]: a Novel in a Series of Letters , continued.

Robert Burns, "Tam o'Shanter" (1791).
Samuel Taylor Coleridge's two anonymous essays on M. G. Lewis, The Monk (1796), and Radcliffe's, The Italian (1798)
Coleridge, Christabel (1798-1816).
Walter Scott, Lay of the Last Minstrel (1805).  Read enough to sense the flavor.

Rankings of short reports due.

Notes on Annotating Fiction.  Before the last week of class you will be required to turn in one of the six novels complete with your annotations for a grade as one of your take-home exercises.

Cassandra Austen (1773-1845), Jane Austen (1804), watercolor, National Portrait Gallery, London.

Mon., 19 Sept.:

Northanger Abbey (1818), vol. 1, pp. 5-87 (NCE).  Click here to read a color facsimile of the 1818 first edition.  �The Beggar's Petition� (1769), by Rev. Thomas Moss (c.1740-1808)

Tues., 20 Sept.:  8:45-11 pm, Hoyt Hall, room 125, extracurricular showing of  ITV's, Northanger Abbey (2008), screenplay by Andrew Davies.

*Wed., 21 Sept.:    

Northanger Abbey (1818), vol. 2, pp. 88-174 (NCE).

Lord Byron, Hours of Idleness (1807), ed. Peter Cochran. 

Fri., 23 Sept.:

Northanger Abbey (1818), review.

Exercise 2 assigned: historical interpretation of monetary values.  Due Fri., 30 Sept.

Mon., 26 Sept.:

Sense and Sensibility (1811), vol. 1, pp. 5-98 (NCE).  Click here to read a color facsimile of the 1811 first edition.

Genealogies from Pemberley website.  Ellen Moody's Sense and Sensibility Chronology, from Philological Quarterly 79 (Fall 2000): 233-66.  Coleridge on Sensibility and Benevolence (1796).

Edward Ferrars reads Cowper.("The Castaway").   Willoughby reads Shakespeare (Sonnet 116).   Col. Brandon reads Spenser (FQ 5.2.39:4-8).  The texts.  

Wed., 28 Sept.:

Sense and Sensibility (1811), vol. 2, pp. 99-180 (NCE).

Fri., 30 Sept.:

Sense and Sensibility (1811), vol. 3, pp. 181-269 (NCE).  

Coleridge, "Dejection: an Ode" (1802), William Wordsworth, "Ode: Intimations of Immortality" (1802-04) and "The Solitary Reaper" (1807).

Exercise 2 due on the historical interpretation of monetary values.

Henry Tilney's twenty-four "nice" tips on writing style.

Mon., 3 Oct.:

Sense and Sensibility (1811), review.

Paper two assigned, due Fri., 14 Oct. 

Glen Baxter

Wed., 5 Oct.:

Pride and Prejudice (1813), vol. 1, pp. 3-94 (NCE).   Click here to read a color facsimile of the 1817 third edition.

Chronology of Pride and Prejudice (1813) by MacKinnon and Chapman (with interpolations)
Mr. Darcy at the Meryton assembly, according to British comedians David Mitchell and Robert Webb.
Mr. Beveridge's Maggot at Netherfield, Colin Firth & Jennifer Ehle (BBC, 1995), pp.61-62.  See the choreography here.  (since removed)
Anne Hathaway in Becoming Jane (2007).
BBC's Having a Ball (2013), documentary on reconstructing the ball at Netherfield in Pride and Prejudice.  (since removed)
The Duke of Kent's Waltz.  See the choreography here.
John Sutherland, "Who Betrays Elizabeth Bennet?," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 17-22, 246.

Fri., 7 Oct.: 

Pride and Prejudice (1813), vol. 2, pp. 94-166 (NCE).

Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.  Listen to the Grandview Orchestra perform the "Duke of Kent's Waltz."  see Bal Masqu� dancing Knole Park. and JASNA Ball, 2012 and What Jane Saw on 24 May 1813 in London

Cassandra Austen (1773-1845), Jane Austen, (c. 1810), watercolor, National Portrait Gallery, London

Monday., 10 Oct.:

Pride and Prejudice (1813), vol. 3, pp. 166-266 (NCE).
"A Woman's Touch," from BBC's
At Home with the Georgians. (2015) with Amanda Vickery.

Tues., 11 Oct.:  8:45-11:40 pm, Hoyt Hall, room 125,, extracurricular showing of BBC's, Sense and Sensibility (2008), screenplay by Andrew Davies.  See also the video interview with Andrew Davies, "Longing, Betrayal, & Redemption," about how he adapts the novels for the screen.

Wed., 12 Oct.: 

Pride and Prejudice (1813), review.

Fri., 14 Oct.:

Pride and Prejudice (1813), review.

Paper two due.

Mon., 17 Oct.:   

Jane Austen's letters.  Miss Austen Regrets (2008, BBC), Olivia Williams enacts scenes from Austen's life, using a script based on the surviving letters.  Written by Gwyneth Hughes and Emma Thomas.  The film is 90 minutes. The first half is shown today

Midterm Exam Part 1 distributed.

Wed., 19 Oct.: 

Midterm Exam Part 2 in class.  Midterm Exam Part 1 due.

*Fri., 21 Oct.: No class. Prof. Nye attends the annual general meeting of the Jane Austen Society of North America in Washington, DC).

Jane Austen, Lady Susan, autograph manuscript, written ca. 1794-95 and transcribed in fair copy soon after 1805. The Morgan Library & Museum, Purchased in 1947; MA 1226.

Mon., 24 Oct.:

Lady Susan (c. 1805), pp. 41-103 (PCE).  See facsimile of Austen's holograph MS at the Morgan Library.  And check out the Jane Austen Fiction Manuscripts Digital Edition.

Tues., 25 Oct.:  8:45-10:15 pm, Hoyt Hall, room 125, extracurricular showing of Miss Austen Regrets (2008, BBC), Olivia Williams enacts scenes from Austen's life, using a script based on the surviving letters.  Written by Gwyneth Hughes and Emma Thomas.

Wed., 26 Oct.:

Lady Susan (review).

The Book Junkie introduces Mansfield Park (1814).  On Fanny Price.  On Mrs Inchbald. Puppet version of Lovers' Vows.

Paper three assigned, due Fri., 11 Nov.   JASNA 2016-2017 Essay Contest.

The Rice Portrait of Jane Austen c. 1788 by Ozias Humphry, RA (1742-1810), failed to sell at Christie's in 2007 with a reserve of �350,000,
subsequently authenticated by Claudia Johnson, Times Literary Supplement, 30 August 2013.

Fri., 28 Oct.:

Mansfield Park (1814), vol. 1, pp. 5-120 (NCE) .   Click here to read a color facsimile of the 1814 first edition.

Kotzebue/Inchbald, "Lovers' Vows" (1798), NCE pp. 329-75.  Cowper, Tirocinium: or a Review of Schools (1784).  Wordsworth, "Simon Lee" (1798) and Coleridge, "Frost at Midnight" (1798).

Term paper prospectus assigned.  Hints on beginning research for an Austen paper.  Prospectus due Fri., 18 Nov.  Term paper due 7 Dec.

Mon., 31 Oct.: 

Mansfield Park (1814), vol. 2,  pp. 121-210 (NCE).

John Sutherland, "Pug: Dog or Bitch?", in Can Jane Eyre Be Happy? More Puzzles in Classic Fiction (Oxford, 1997), pp. 31-36, 226.  

Chronology of Mansfield Park by MacKinnon and Chapman (with interpolations).

John Sutherland, "What do We Know about Frances Price (the First)?," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 23-27, 246-48. 

William Butler Yeats, "A Prayer for my Daughter" (1919).

Wed., 2 Nov.: 

Mansfield Park (1814), vol. 3,  pp. 211-321 (NCE).

Eric W. Nye, "Absent Signifiers in Jane Austen: Toward an Archaeology of Morals," Eighteenth-Century Life 35:3 (Fall 2011): 81-88.

John Sutherland, "Where does Sir Thomas's Wealth Come From?," in Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Literature (Oxford, 1996), pp. 1-9, 244-45.

Fri., 4 Nov.:

Mansfield Park, review.

Mon., 7 Nov.:

Emma (1816), vol. 1,  pp. 5-106 (NCE) Click here to read a color facsimile of the 1816 first edition.

Wayne Booth, "Control of Distance in Jane Austen's Emma" from Rhetoric of Fiction (1961) reprinted in The Essential Wayne Booth (2006).

John Sutherland, "Apple-blossom in June?", in  Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Literature (Oxford, 1996), pp. 14-19, 246; and "Apple-blossom in June--again," in Who Betrays Elizabeth Bennet? Further Puzzles in Classic Fiction (Oxford, 1999), pp. 28-33, 248.

Wordsworth, "The Old Cumberland Beggar" (1798-1800).

James Stanier Clarke (1765-1834), Domestic Chaplain and Librarian to the Prince of Wales, alleged watercolor portrait of
Jane Austen on the occasion of her visit to Carlton House, 13 November 1815, contained in his Friendship Book (6 1/4" x 3 3/4")

Wed., 9 Nov.: 

Emma (1816), vol. 2,  pp. 107-216 (NCE).

John Sutherland, "How Vulgar is Mrs Elton?" in Can Jane Eyre Be Happy? More Puzzles in Classic Fiction (Oxford, 1997), pp. 37-41, 226.

Fri., 11 Nov.:

Emma (1816), vol. 3, pp. 216-333 (NCE).

Paper three due.

Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.

The Ball, JASNA 2010 AGM, Fort Worth, TX, from BBC's The Many Lovers of Miss Jane Austen (2011)

*Mon., 14 Nov.: no class, term paper research

*Wed., 16 Nov.: no class, term paper research

Fri., 18 Nov.:

Emma (1816), review.

Prospectus for term paper due.  Private appointments available to discuss term paper.

Mon., 21 Nov.:

Emma (1816), review.

Private appointments available to discuss term paper.

Mon., 28 Nov.:

Persuasion (1818), vol. 1,  pp. 3-85 (NCE).  Click here to read a color facsimile of the 1818 first edition.

Wordsworth, "Tintern Abbey" (1798) Hannah More, "The Shepherd of Salisbury Plain," from Cheap Repository Tracts (1795).

Tues., 29 Nov.:  8:45-11 pm, Hoyt Hall, room 125:  Extracurricular showing of BBC's, Persuasion (1995), screenplay by Nick Dear.

Wed., 30 Nov.:

Persuasion (1818), vol. 2,  pp. 85-178 (NCE).  See the draft of the original ending in manuscript from the British Library.

*Fri., 2 Dec.:

Persuasion (review).

Extracurricular English Country Dance in Denver with Chris Kermiet instructing, 8-11 pm.  Click here for further details.

Mon., 5 Dec.:

The Watsons (1803-05),  pp. 105-52 (PCE).  And see the original manuscript from Oxford's Bodleian Library at the Jane Austen Fiction Manuscripts Digital Edition.

Wed., 7 Dec.:

Sanditon (1817), pp. 153-211 (PCE).  And see the original manuscript from King's College, Cambridge, at the Jane Austen Fiction Manuscripts Digital Edition.

Rudyard Kipling, "The Janeites," Hearst's International, MacLean's, and the Story-Teller Magazine, May 1924, collected in Debits and Credits (1926).

Term paper due.

Fri., 9 Dec.:

Review. Term paper presented seminar-style.

James Andrews, Portrait of Jane Austen (1869), commissioned by her nephew Rev. James Edward Austen-Leigh to accompany his biography of her,
sold at Sotheby's 10 December 2013 for �164,500; image to appear on �10 note in 2017.

 

Final Exam: Friday, December 16, 1:15 pm - 3:15 pm in our usual classroom.

Required Books:

The following six novels will be bundled for roughly a 50% savings in cost (ISBN : 9780-0�393-61921-8): UW c. $45 new bundled:

Jane Austen, ed. Susan Fraiman. Northanger Abbey (1818) (New York: W. W. Norton, paper, 2004, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-97850-6 ($15.62)

Jane Austen, ed. Claudia L. Johnson. Sense and Sensibility (1811) (New York: W. W. Norton, paper, 2001, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-97751-6 ($16.44)

Jane Austen, ed. Donald Gray and Mary A. Favret. Pride and Prejudice (1813) (New York: W. W. Norton, paper, 4th edn., 2016, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-26488-3 ($12.56)

Jane Austen, ed. Claudia L. Johnson. Mansfield Park (1814) (New York: W. W. Norton, paper, 1998, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-96791-3 ($15.75)

Jane Austen, ed. George Justice. Emma (1816) (New York: W. W. Norton, paper, 4th edn., 2011, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-92764-1 ($17.50)

Jane Austen, ed. Patricia Meyer Spacks. Persuasion (1818) (New York: W. W. Norton, paper, 2nd edn., 2012, Norton Critical Edition (bundled as 9780-0-393-61921-8)). 978-0-393-91153-4 ($18.12)

Jane Austen, ed. Margaret Drabble. Lady Susan, The Watsons, and Sanditon (New York: Penguin Books, paper, 1974, Penguin Classics). 978-0-140-43102-5 ($6.38)

Jane Austen, ed. Margaret Anne Doody & Douglas Murray. Catharine and Other Writings (New York: Oxford World's Classics, paper, 2009). 978-0-199-53842-3 ($11.03)

Optional Books (available to order online):

Abrams, M. H. & Geoffrey Harpham. A Glossary of Literary Terms, 11th edn. (NY: Cengage, paper, 2011). 978-1285465067

Joan Klingel Ray.  Jane Austen for Dummies (NY: Wiley, 2006).  978-0-470-00829-4

Deidre Le Faye.  Jane Austen the World of Her Novels (London: Frances Lincoln, 2003).  978-0-711-22278-6

Josephine Ross.  Jane Austen: a Companion (New Brunswick, NJ: Rutgers University Press, 2007). 978-0-813-53954-6

Jane Austen, ed. Deirdre Le Faye.  Jane Austen's Letters (Oxford: Oxford University Press, paper, 1997). 978-0-192-83297-9.  See also Molland's online subject index to this edition. 

Blogs and other links:

Jane Austen Criticism Online

Jane Austen Society of North America (JASNA)

Jane Austen Society of the University of Wyoming (JASUW)

Jane Austen Society (United Kingdom)

The Republic of Pemberley

Jane Austen Today

Jane Austen's World

Jane Austen Centre (Bath)

Hyper-concordances of all Jane Austen's novels

Course Description:

In an age of revolution, experimentation, and dissolution of received literary forms, Jane Austen rescued the novel and demonstrated its suitability for the most comprehensive and humane literary purposes. With exquisite craftsmanship she raised the stakes for her nineteenth-century successors in the novel, and her audiences have been faithful ever since. We will examine her antecedents in the eighteenth-century, the complex cultural milieu in which she emerged, and the range of critical opinion she has evoked over the past two centuries. Why are people admitting, today more than ever, that they love Jane Austen?

Course Objectives:  

1. Comprehend the history of the language, its grammar and syntax, the arts of rhetoric, and the conventions of expository writing
2. Read extensively in canonical literature while learning to question the status and historical formation of the canon: master literary periods, terms, and major authors
3. Read intensively with formal concentration, discerning the quality of different literary modes and styles: know the historical conventions of literary form and be able to differentiate literary styles
4. Extend these methods of analysis to new works outside the canon and to works outside the sphere of conventional textuality
5. Understand various modes of literary criticism and be able to devise appropriate critical theses both in writing and conversation: know the major schools of criticism and be able to replicate their interpretative strategies
6. Show intelligence, imagination, and creativity in the formation and support of original literary interpretations
7. Relate the history of literary creativity to allied fields of humane activity: politics, arts, philosophy, theory and culture in general.

Grading Standards:

Class participation and take home exercises (numerical, total 5% of final grade), Quizzes on assigned readings (numerical, total 10%), essays and presentations (letter-grade, total 30%), final research paper (letter-grade, 15%), midterm exam (half objective-numerical, half essay letter-grade, total 20%), final exam (half objective-numerical, half essay letter-grade, total 20%). The final course grade is determined from the weighted total of the above in accordance with usual academic standards (ex: 90-100=A, 80-89=B, etc).  A poll will be taken at the beginning of the semester to determine whether we use +/- or straight grades.

Attendance policy:

University-sponsored absences are cleared through the Dean of Students office.  Attendance is essential in a class like this. You will be allowed one absence by prior arrangement for personal business. For that and any subsequent officially authorized absence you will be required to turn in a two-page "absence essay" on that day's syllabus material for each hour of class you miss and must contact me in advance for details. The essay must be turned in before the start of the first class period after you return from your absence, and the absence essay itself will not be returned.  Failure to turn in the essay will signify that you do not intend to pass the class.  This policy accords with UW Regulation 6-713.

Academic Honesty is strictly enforced according to UW Regulation 6-802 "Procedures and Authorized University Actions in Cases of Student Academic Dishonesty".

The Student Code of Conduct may be found by linking to the Dean of Students Office page.

Disability Statement: If you have a physical, learning, sensory or psychological disability and require accommodation, please let me know as soon as possible. You will need to register with, and provide documentation of your disability to University Disability Support Services (UDSS) in SEO, room 330 Knight Hall.

Any changes to the syllabus will be announced in class or on this course website, where the date of most recent revision follows:

Last updated Friday, 16 December 2016

Notify me of corrections or additions.

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