Dr. Eric W. Nye Office Hours: MWF 11:00 am - 12:00 noon and by appt., Hoyt Hall 308, 766-3244
Merritt Y. Hughes, ed. John Milton's Complete Poems and Major Prose
(Hackett Publishing Company, Inc, cloth, 2003). 978-0872206786
Dennis Danielson. The Cambridge Companion to Milton (Cambridge Univ.
Press, paper, 2nd edn, 1999). 978-0521655439
Neil Forsyth. John
Milton: A Biography (UK: Lion, paper, 2009). 978-0745953106
Abrams,
M. H. & Geoffrey Harpham. A Glossary of Literary Terms, 11th edn. (NY:
Cengage, paper, 2014). 978-1285465067
Wed., 3 Sep.: Introduction, books, grades, policies. "Sonnet VII: How soon hath Time" (1632) and "Sonnet XIX: When I consider" (1652?) from handout. Merritt Y. Hughes, ed. John Milton�s Complete Poems and Major Prose (1957, 2003), pp. 76-77, 168. Listen to the Cambridge Singers perform "Haec Dies" by William Byrd (1543-1623), based on Psalm 118:24.
Fri., 5 Sep.: Early Psalm paraphrases, early Latin poetry (esp. Elegy I to Charles Diodati & Elegy III on the Bishop of Winchester), "At a Vacation Exercise in College," and "On the Death of a Fair Infant Dying of a Cough," Hughes pp. 2-5, 5-29, 30-32, & 35-37. Shakespeare and Dylan Thomas. Supplemental Readings: Death and Lament. "On Shakespeare," Hughes pp. & 63-64. Listen to the Choir of Westminster Abbey perform a setting after Henry Lawes of Psalm 8. Follow the text from Coverdale's Psalter.
Mon., 8 Sep.: Later Latin poetry, "Song: on May Morning," "On the Morning of Christ�s Nativity," "The Passion," "On the University Carrier," "Another on the Same," and "An Epitaph on the Marchioness of Winchester," Prolusion II ("On the Music of the Spheres"), Hughes pp. 32-35, 37-41, 41-50, 61-67, 602-04. Listen to the Cambridge Singers perform "O Beatum et Sacrosanctum Diem" by Peter Philips (1561-1628). Listen to the St. Olaf Choir perform "Ring Out, Ye Crystal Spheres" by Ralph Vaughan Williams (1872-1958).
Wed., 10 Sep.: Neil Forsyth,
John
Milton: A Biography (2009), pp. 9-35
Use Adobe Reader to download and print this handy guide to
Demystifying Prosodic Forms: Metrical Feet.
Fri., 12 Sep.: Forsyth, pp.
36-66.
Mon., 15 Sep.:
"L�Allegro" and "Il Penseroso," "Arcades,""On Time," "Upon
the Circumcision," and "At a Solemn Music," Hughes pp. 67-82.
Albrecht D�rer,
Melancholia (1514). Rembrandt,
Philosopher in
Meditation (1632). Morseelse's Diptych
(1660). Blake's Diptych (c. 1816).
Listen to the Cambridge Singers perform "O Nata Lux" by Thomas Tallis (c.
1505-1585).
Exercise One due.
Wed., 17 Sep.: Discussion of Exercise One.
Thurs., 18 Sept.: Visiting Lecture, Dr. Mimi Fenton,
�Joy and Regeneration in Paradise Lost,�
Fri., 19 Sep.:
"A Masque Presented at Ludlow Castle, 1634 [Comus],"
Hughes pp. 86-114. Cedric Brown, "Milton�s Ludlow Masque," Cambridge
Companion pp. 25-38. Guest
Lecturer, Dr. Mimi Fenton, Dean of Western Carolina University�s
Graduate School and Research.
Mon., 22 Sep.: Comus,
continued.
Listen to the Tallis Scholars perform "Blessed are Those that be Undefiled."
Watch excerpt of "To Kill a
King" (2002).
Paper One assigned, due Mon., 6 Oct.
Wed., 24 Sep.: Colin Burrow, "Poems 1645: the Future Poet,"
Cambridge Companion pp. 54-69.
Supplemental Readings: Shocking News
about Wind.
Thurs., 25 Sep.: 7 pm,
Hoyt Hall, room 215: extracurricular showing:
Christopher Marlowe (1564-1593), Doctor Faustus (1604), Richard
Burton, Elizabeth Taylor, Oxford University Dramatic Society, (produced 1968).
92 minutes.
Fri., 26 Sep.:
"Lycidas," Hughes pp. 116-25. J. Martin Evans,
"Lycidas,"
Cambridge Companion pp. 39-53.
Supplemental Readings: Henry King,
"The Exequy."
John Ruskin on "Lycidas" from Sesame
and Lilies (1865).
Supplemental Readings: W. H. Auden, "In Memory of W. B. Yeats." Mon., 29 Sep.:
Stephen B. Dobranski, "Milton�s Social Life," Cambridge Companion pp.
1-24. T. S. Eliot, "The
Metaphysical Poets" (1921), on the dissociation of sensibility.
Listen to the Cambridge Singers perform "Loquebantur Variis Linguis" by Thomas
Tallis.
Wed., 1 Oct.: Samuel Johnson, from
Lives of the Most Eminent English Poets (4v, London, 1781), 1:124-268,
see 224-26 on "Lycidas". Later Psalm paraphrases, Hughes pp. 149-58 and
162-67. John Berryman, "Wash Far Away"
(1957, rpt. 1975, 1976).
Fri., 3 Oct.: Italian and English sonnets, Hughes pp. 53-56,
140-45, 159-61, 167-71. R. F. Hall, "Milton�s Sonnets and his Contemporaries,"
Cambridge Companion pp. 98-112.
Supplemental Readings: Donne's Holy
Sonnets. Listen to
the Tallis Scholars perform "If Ye Love Me" by Thomas Tallis.
Mon., 6 Oct.: Forsyth, pp. 67-106. Historical
interpretation of monetary values. Paper
One due.
Wed., 8 Oct.:
Areopagitica (1644), Hughes pp. 716-49.
Supplemental Readings: Structure of a
Classical Oration (Aristotle).
Fri., 10 Oct.:
The Doctrine & Discipline of Divorce
(1644), Hughes
pp. 696-715.
Book I
and
Book II online.
(Dr Nye at JASNA meeting) Mon., 13 Oct.:
Samson Agonistes (1671), Hughes pp. 531-93.
Judges 13-16 in the Bible.
Listen to the Tallis Scholars perform "Remember Not, O Lord God." Wed., 15 Oct.: Samson Agonistes, continued.
Gregorio Allegri (1582-1652), Miserere (Psalm 51),
Cambridge Singers. Fri., 17 Oct.: Samson Agonistes, continued. Joan S.
Bennett, "Reading Samson Agonistes," Cambridge Companion pp.
219-35.
John Wilbye (1574-1638), Draw on Sweet Night,
Cambridge Singers. Mon., 20 Oct.: Forsyth, pp.
107-55. Timeline of
the English Civil Wars
Wed., 22 Oct.: Selection from
An Apology for Smectymnuus
(1642), Hughes pp. 690-95, selections from
The Second Defense of the
People of England (1654), trans. Robert Fellowes (1806), Hughes pp. 817-38,
and
Considerations Touching the Likeliest Means to Remove Hirelings out of the
Church (1659), Hughes pp. 856-79.
Orlando
Gibbons (1583-1625), O Clap Your Hands (Psalm 47),
Cambridge Singers.
Review, Midterm Exam Part One (take-home essays) distributed.
Fri., 24 Oct.:
Midterm Exam, Part One (take-home essays) due.
Midterm Exam, Part Two (in class).
Mon., 27 Oct.:
Barbara Kiefer Lewalski, "The Genres of Paradise Lost" and John
Leonard, "Language and Knowledge in Paradise Lost," Cambridge Companion
pp. 113-29 and 130-43.
Hughes, "Introduction," pp. 173-210. See
The
Iconography of Paradise Lost. Listen to
the Tallis Scholars perform "A New Commandment" by Thomas Tallis.
Typology.
Windows of King's College Chapel, Cambridge (requires Java).
Of Education (1644), Hughes pp. 630-39.
Martin Dzelzainis, "Milton�s Politics" and Thomas N.
Corns, "Milton�s Prose," Cambridge Companion pp. 70-83 and 84-97. Supplemental
Readings: Commonplaces.
Listen to the Tallis Scholars perform "Nine Tunes for Archbishop Parker's
Psalter."
The Tenure of Kings and Magistrates (1648), Hughes
pp. 750-80.
William Byrd, Civitas sancti tui (Isaiah 64:9-10),
Cambridge Singers.
Paradise Lost, Book III. Illustrated by Gustave Dor�, 1866.
Wed., 29 Oct.: Forsyth, pp. 156-89. Paradise Lost (1674), Book I, Hughes pp. 211-31. Illustration by John Martin, In Paradisum Amissam (dedicatory poem translated).
Short Exercise: Analyzing an Epic, Book by Book
Paper Two assigned, due 17 Nov.
Thurs., 30 Oct.: 8 pm, Hoyt Hall, room 215: extracurricular showing: To Kill a King (2003), 102 min.
Fri., 31 Oct.: Paradise Lost, Book I, continued. The Ready and Easy Way to Establish a Free Commonwealth (1660), Hughes pp. 880-900.
Mon., 3 Nov.: Paradise Lost, Book II, Hughes pp. 232-57.
Wed., 5 Nov.: Paradise Lost, Book III, Hughes pp. 257-76. Listen to the Prologue from Krysztof Penderecki's opera based on Paradise Lost, libretto by Christopher Fry, as premiered by the Lyric Opera of Chicago, 1978.
Fri., 7 Nov.: Paradise Lost, Book IV, Hughes pp. 277-302. Genesis 1-3 in the Bible. Freedom and Omnipotence: a page from Søren Kierkegaard's Journals and Papers.
Mon., 10 Nov.: Paradise Lost, Book V, Hughes pp. 302-23. The book of Revelation in the Bible. (Dr Ryan Croft, Guest Lecturer)
Extra credit memorization exercise, in class.
Wed., 12 Nov.: Paradise Lost, Book VI, Hughes pp. 323-45. Michelangelo's Last Judgment, Sistine Chapel, Vatican (1508-1512). (Dr Ryan Croft, Guest Lecturer)
Fri., 14 Nov.: Paradise Lost, Book VI, continued. See Sergei Eisenstein, Alexander Nevsky (1938), Battle on the Ice, (esp. 10:00 to 10:40), or the Battle for Helm's Deep or the Battle of the Pelennor Fields from J. R. R. Tolkien's Lord of the Rings (prod. Peter Jackson, 2001-03). (Sorry about the YouTube ads.)
Mon., 17 Nov.: Paradise Lost, Book VII, Hughes pp. 345-62. Michelangelo's Central Stories, Ceiling, Sistine Chapel, Vatican.
Paper Two due.
Wed., 19 Nov.: Paradise Lost, Book VIII, Hughes pp. 362-77. John Keats on Adam's Dream, Letter to Bailey, 22 November 1817.
Paper Three assigned, due 10 Dec.
Fri., 21 Nov.: Paradise Lost, Book IX, Hughes pp. 378-405. Dennis Danielson, "The Fall and Milton's Theodicy," and John Carey, "Milton's Satan," Cambridge Companion pp. 144-59 and 160-74.
Mon., 24 Nov.: Paradise Lost, Book IX, continued.
Mon., 1 Dec.: Paradise Lost, Book X, Hughes pp. 406-32.
Wed., 3 Dec.: Paradise Lost, Book X, continued.
Fri., 5 Dec.: Paradise Lost, Book XI, Hughes pp. 432-53.
Mon., 8 Dec.: Paradise Lost, Book XII, Hughes pp. 454-69.
Wed., 10 Dec.:
Forsyth, pp. 190-233.
Paper Three due. Fri., 13 Dec.: Paradise
Regained, Books III and IV, Hughes pp. 505-30. Mary Ann Radzinowicz,
"How Milton Read the Bible: the Case of Paradise Regained," Cambridge Companion
pp. 202-18. John Berryman, from
"Eleven Addresses to the Lord," in Love and Fame (1971).
Final Exam: Monday, 15 Dec., 10:15
am - 12:15 pm, in our usual classroom.
Optional Book(s) and Websites (recommended): Abrams, M. H. & Geoffrey Harpham. A Glossary of Literary Terms,
11th edn. (Boston: Cengage Learning, paper, 2015). 9781285465067 A good, comfortable English translation of the Bible,
King James Version preferred, though its linguistic influence on Milton is
slight. The Geneva Bible
might have more relevance. The oldest e-text on Project
Gutenberg is Paradise Lost (1674) dating from 1964-65. The
newer release is formatted with
verse paragraphs.
The John Milton Reading Room (Prof. Thomas Luxon, Dartmouth)
The
Milton-L Home Page (formerly University of Richmond) Milton
on Luminarium (Anniina Jokinen) The
Reason of Church-government urg'd against PRELATY (1641)
The
Readie & Easie Way to Establish a Free Commonwealth (1660) Course Description: No writer has a better claim than John Milton to be master of the English
epic, and this course will trace the evolution of his complex poetic genius. We
will study the various influences, literary, biblical, political,
ecclesiastical, classical, aesthetic, and academic that contribute to that
genius, surveying the literature before and after Milton that derives much of
its significance from his achievement. But we will concentrate mostly on a
careful close reading of his English poetry and prose. His thought and language
can be thoroughly exhilarating for a modern reader. A reading journal, several
short papers, quizzes, midterm and final exams, and a seminar-style research
paper may be required. Prerequisite: 6 hours of 2000-level literature course or
consent of instructor.
Course Objectives:
1. Comprehend the history of the
language, its grammar and syntax, the arts of rhetoric, and the
conventions of expository writing Grading Standards: Class participation, writing exercises (numerical, total 5% of final grade).
Quizzes on assigned readings (numerical, total 10%). Short essays and
presentations (letter-grade, total 45%). Midterm exam (half
objective-numerical, half essay letter-grade, total 20%). Final exam
(half objective-numerical, half essay letter-grade, total 20%). Research
paper (optional for extra credit). The final course grade is determined from the weighted
total of the above in accordance with usual academic standards (ex:
90-100=A, 80-89=B, etc). We decided the first week of class to issue final grades without plusses and minuses. Attendance policy: University-sponsored absences are
cleared through the Dean of Students. Attendance is essential in a
class like this. Any time you must miss class you should contact me in
advance and will be required to submit a two-page paper on a topic I'll
assign dealing with the day's reading assignment as it appears on the
syllabus. Two absences without advance notice or without the two-page
paper being turned in at the next class period will signify that you do not
intend to pass the class. This policy accords with
UW Regulation 6-713. Academic Honesty is strictly enforced
according to
UW Regulation 6-802 �Procedures and Authorized University Actions in
Cases of Student Academic Dishonesty�. The Student Code of Conduct may be
found by linking to the
Dean of Students
Office page. Disability Statement: If you have a
physical, learning, sensory or psychological disability and require
accommodation, please let me know as soon as possible. You will need to
register with, and provide documentation of your disability to
University Disability Support Services (UDSS) in SEO, room 330
Knight Hall.
Any changes to the syllabus will be announced in class or on this course
website, where the date of most recent revision follows:
Last updated
Wednesday, 10 December 2014
Paradise
Regained (1667-70), Books I and II, Hughes pp. 471-505. Luke 4 in
the Bible.
2. Read extensively in canonical
literature while learning to question the status and historical
formation of the canon: master literary periods, terms, and major
authors
3. Read intensively with formal concentration, discerning the
quality of different literary modes and styles: know the historical
conventions of literary form and be able to differentiate literary
styles
4. Extend these methods of analysis to new works outside the
canon and to works outside the sphere of conventional textuality
5.
Understand various modes of literary criticism and be able to devise
appropriate critical theses both in writing and conversation: know the
major schools of criticism and be able to replicate their interpretative
strategies
6. Show intelligence, imagination, and creativity in the
formation and support of original literary interpretations
7. Relate the
history of literary creativity to allied fields of humane activity:
politics, arts, philosophy, theory and culture in general.