English 4190 (Reli 4500-2), Milton, Autumn 2014, MWF 10:00 - 10:50 am, Coe Library 121

Dr. Eric W. Nye Office Hours: MWF 11:00 am - 12:00 noon and by appt., Hoyt Hall 308, 766-3244

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John Martin (1789-1854), The Expulsion, mezzotint from his 1827 illustrated Paradise Lost.

Books

Merritt Y. Hughes, ed. John Milton's Complete Poems and Major Prose (Hackett Publishing Company, Inc, cloth, 2003). 978-0872206786

Dennis Danielson. The Cambridge Companion to Milton (Cambridge Univ. Press, paper, 2nd edn, 1999). 978-0521655439

Neil Forsyth. John Milton: A Biography (UK: Lion, paper, 2009). 978-0745953106

Abrams, M. H. & Geoffrey Harpham. A Glossary of Literary Terms, 11th edn. (NY: Cengage, paper, 2014). 978-1285465067

Calendar

Wed., 3 Sep.: Introduction, books, grades, policies. "Sonnet VII: How soon hath Time" (1632) and "Sonnet XIX: When I consider" (1652?) from handout. Merritt Y. Hughes, ed. John Milton�s Complete Poems and Major Prose (1957, 2003), pp. 76-77, 168.  Listen to the Cambridge Singers perform "Haec Dies" by William Byrd (1543-1623), based on Psalm 118:24.

Fri., 5 Sep.:  Early Psalm paraphrases, early Latin poetry (esp. Elegy I to Charles Diodati & Elegy III on the Bishop of Winchester), "At a Vacation Exercise in College," and "On the Death of a Fair Infant Dying of a Cough," Hughes pp. 2-5, 5-29, 30-32, & 35-37. Shakespeare and Dylan Thomas Supplemental Readings: Death and Lament. "On Shakespeare," Hughes pp. & 63-64. Listen to the Choir of Westminster Abbey perform a setting after Henry Lawes of Psalm 8. Follow the text from Coverdale's Psalter.

Mon., 8 Sep.: Later Latin poetry, "Song: on May Morning," "On the Morning of Christ�s Nativity," "The Passion," "On the University Carrier," "Another on the Same," and "An Epitaph on the Marchioness of Winchester," Prolusion II ("On the Music of the Spheres"), Hughes pp. 32-35, 37-41, 41-50, 61-67, 602-04.  Listen to the Cambridge Singers perform "O Beatum et Sacrosanctum Diem" by Peter Philips (1561-1628).  Listen to the St. Olaf Choir perform "Ring Out, Ye Crystal Spheres" by Ralph Vaughan Williams (1872-1958).

Core vocabulary list.

Exercise One assigned.

Wed., 10 Sep.: Neil Forsyth, John Milton: A Biography (2009), pp. 9-35
Use Adobe Reader to download and print this handy guide to Demystifying Prosodic Forms: Metrical Feet.

Fri., 12 Sep.:   Forsyth, pp. 36-66.
Typology.
  Windows of King's College Chapel, Cambridge (requires Java). 

Mon., 15 Sep.: "L�Allegro" and "Il Penseroso," "Arcades,""On Time," "Upon the Circumcision," and "At a Solemn Music," Hughes pp. 67-82. Albrecht D�rer, Melancholia (1514). Rembrandt, Philosopher in Meditation (1632).  Morseelse's Diptych (1660).  Blake's Diptych (c. 1816).  Listen to the Cambridge Singers perform "O Nata Lux" by Thomas Tallis (c. 1505-1585).

Exercise One due.

Wed., 17 Sep.:  Discussion of Exercise One.

Thurs., 18 Sept.:  Visiting Lecture, Dr. Mimi Fenton, �Joy and Regeneration in Paradise Lost, 4:10 p.m., CR 142.

Fri., 19 Sep.: "A Masque Presented at Ludlow Castle, 1634 [Comus]," Hughes pp. 86-114. Cedric Brown, "Milton�s Ludlow Masque," Cambridge Companion pp. 25-38.  Guest Lecturer, Dr. Mimi Fenton, Dean of Western Carolina University�s Graduate School and Research.

Mon., 22 Sep.:  Comus, continued.  Listen to the Tallis Scholars perform "Blessed are Those that be Undefiled."  Watch excerpt of "To Kill a King" (2002).

Paper One assigned, due Mon., 6 Oct.

Wed., 24 Sep.:  Colin Burrow, "Poems 1645: the Future Poet," Cambridge Companion pp. 54-69.  Supplemental Readings: Shocking News about Wind.

Thurs., 25 Sep.:  7 pm, Hoyt Hall, room 215: extracurricular showing:  Christopher Marlowe (1564-1593), Doctor Faustus (1604), Richard Burton, Elizabeth Taylor, Oxford University Dramatic Society, (produced 1968). 92 minutes.

Fri., 26 Sep.:  "Lycidas," Hughes pp. 116-25. J. Martin Evans, "Lycidas," Cambridge Companion pp. 39-53.  Supplemental Readings: Henry King, "The Exequy."  John Ruskin on "Lycidas" from Sesame and Lilies (1865). Supplemental Readings: W. H. Auden, "In Memory of W. B. Yeats."

Mon., 29 Sep.: Stephen B. Dobranski, "Milton�s Social Life," Cambridge Companion pp. 1-24.  T. S. Eliot, "The Metaphysical Poets" (1921), on the dissociation of sensibility.   Listen to the Cambridge Singers perform "Loquebantur Variis Linguis" by Thomas Tallis.

Wed., 1 Oct.: Samuel Johnson, from Lives of the Most Eminent English Poets (4v, London, 1781), 1:124-268, see 224-26 on "Lycidas". Later Psalm paraphrases, Hughes pp. 149-58 and 162-67.  John Berryman, "Wash Far Away" (1957, rpt. 1975, 1976).

Fri., 3 Oct.: Italian and English sonnets, Hughes pp. 53-56, 140-45, 159-61, 167-71. R. F. Hall, "Milton�s Sonnets and his Contemporaries," Cambridge Companion pp. 98-112.  Supplemental Readings: Donne's Holy Sonnets.  Listen to the Tallis Scholars perform "If Ye Love Me" by Thomas Tallis.  

Mon., 6 Oct.:  Forsyth, pp. 67-106.
Of Education
(1644), Hughes pp. 630-39.  Martin Dzelzainis, "Milton�s Politics" and Thomas N. Corns, "Milton�s Prose," Cambridge Companion pp. 70-83 and 84-97. Supplemental Readings: Commonplaces Listen to the Tallis Scholars perform "Nine Tunes for Archbishop Parker's Psalter."

Historical interpretation of monetary values.

Paper One due.

Wed., 8 Oct.: Areopagitica (1644), Hughes pp. 716-49.  Supplemental Readings: Structure of a Classical Oration (Aristotle).

Fri., 10 Oct.:   The Doctrine & Discipline of Divorce (1644), Hughes pp. 696-715. Book I and Book II online. (Dr Nye at JASNA meeting)

Mon., 13 Oct.:  Samson Agonistes (1671), Hughes pp. 531-93.  Judges 13-16 in the Bible Listen to the Tallis Scholars perform "Remember Not, O Lord God."

Wed., 15 Oct.:  Samson Agonistes, continued.  Gregorio Allegri (1582-1652), Miserere (Psalm 51), Cambridge Singers.

Fri., 17 Oct.:  Samson Agonistes, continued.  Joan S. Bennett, "Reading Samson Agonistes," Cambridge Companion pp. 219-35.  John Wilbye (1574-1638), Draw on Sweet Night, Cambridge Singers.

Mon., 20 Oct.:  Forsyth, pp. 107-55.
The Tenure of Kings and Magistrates
(1648), Hughes pp. 750-80.  William Byrd, Civitas sancti tui (Isaiah 64:9-10), Cambridge Singers.

Timeline of the English Civil Wars

Wed., 22 Oct.:  Selection from An Apology for Smectymnuus (1642), Hughes pp. 690-95, selections from The Second Defense of the People of England (1654), trans. Robert Fellowes (1806), Hughes pp. 817-38, and Considerations Touching the Likeliest Means to Remove Hirelings out of the Church (1659), Hughes pp. 856-79.  Orlando Gibbons (1583-1625), O Clap Your Hands (Psalm 47), Cambridge Singers.

Review, Midterm Exam Part One (take-home essays) distributed.

Fri., 24 Oct.:  Midterm Exam, Part One (take-home essays) due.  Midterm Exam, Part Two (in class).

Mon., 27 Oct.:  Barbara Kiefer Lewalski, "The Genres of Paradise Lost" and John Leonard, "Language and Knowledge in Paradise Lost," Cambridge Companion pp. 113-29 and 130-43.  Hughes, "Introduction," pp. 173-210.  See The Iconography of Paradise Lost.  Listen to the Tallis Scholars perform "A New Commandment" by Thomas Tallis.

Image:Paradise Lost 12.jpg

 Paradise Lost, Book III.  Illustrated by Gustave Dor�, 1866.

Wed., 29 Oct.:  Forsyth, pp. 156-89. Paradise Lost (1674), Book I, Hughes pp. 211-31.   Illustration by John Martin, In Paradisum Amissam (dedicatory poem translated).

Short Exercise: Analyzing an Epic, Book by Book

Paper Two assigned, due 17 Nov.

Thurs., 30 Oct.:  8 pm, Hoyt Hall, room 215: extracurricular showing: To Kill a King (2003), 102 min.

Fri., 31 Oct.:  Paradise Lost, Book I, continued.  The Ready and Easy Way to Establish a Free Commonwealth (1660), Hughes pp. 880-900.

Mon., 3 Nov.: Paradise Lost, Book II, Hughes pp. 232-57. 

Wed., 5 Nov.: Paradise Lost, Book III, Hughes pp. 257-76.  Listen to the Prologue from Krysztof Penderecki's  opera based on Paradise Lost, libretto by Christopher Fry, as premiered by the Lyric Opera of Chicago, 1978.

Fri., 7 Nov.: Paradise Lost, Book IV, Hughes pp. 277-302.  Genesis 1-3 in the BibleFreedom and Omnipotence: a page from Søren Kierkegaard's Journals and Papers.

Mon., 10 Nov.: Paradise Lost, Book V, Hughes pp. 302-23.  The book of Revelation in the Bible. (Dr Ryan Croft, Guest Lecturer)

Extra credit memorization exercise, in class.

Wed., 12 Nov.: Paradise Lost, Book VI, Hughes pp. 323-45.  Michelangelo's Last Judgment, Sistine Chapel, Vatican (1508-1512). (Dr Ryan Croft, Guest Lecturer)

Fri., 14 Nov.: Paradise Lost, Book VI, continued.  See Sergei Eisenstein, Alexander Nevsky (1938), Battle on the Ice, (esp. 10:00 to 10:40), or the Battle for Helm's Deep or the Battle of the Pelennor Fields from J. R. R. Tolkien's Lord of the Rings (prod. Peter Jackson, 2001-03).  (Sorry about the YouTube ads.)

Mon., 17 Nov.: Paradise Lost, Book VII, Hughes pp. 345-62.  Michelangelo's Central Stories, Ceiling, Sistine Chapel, Vatican.

Paper Two due.

Wed., 19 Nov.:  Paradise Lost, Book VIII, Hughes pp. 362-77.  John Keats on Adam's Dream, Letter to Bailey, 22 November 1817.

Paper Three assigned, due 10 Dec.

Fri., 21 Nov.:  Paradise Lost, Book IX, Hughes pp. 378-405.  Dennis Danielson, "The Fall and Milton's Theodicy," and John Carey, "Milton's Satan," Cambridge Companion pp. 144-59 and 160-74.

Mon., 24 Nov.:  Paradise Lost, Book IX, continued.

Mon., 1 Dec.:  Paradise Lost, Book X, Hughes pp. 406-32.

Wed., 3 Dec.:  Paradise Lost, Book X, continued.

Fri., 5 Dec.:  Paradise Lost, Book XI, Hughes pp. 432-53.

Mon., 8 Dec.:  Paradise Lost, Book XII, Hughes pp. 454-69.

Wed., 10 Dec.: Forsyth, pp. 190-233.
Paradise Regained (1667-70), Books I and II, Hughes pp. 471-505.  Luke 4 in the Bible.

Paper Three due.

Fri., 13 Dec.:  Paradise Regained, Books III and IV, Hughes pp. 505-30.  Mary Ann Radzinowicz, "How Milton Read the Bible: the Case of Paradise Regained," Cambridge Companion pp. 202-18.

John Berryman, from "Eleven Addresses to the Lord," in Love and Fame (1971).

Final Exam: Monday, 15 Dec., 10:15 am - 12:15 pm, in our usual classroom.


Optional Book(s) and Websites (recommended):

Abrams, M. H. & Geoffrey Harpham. A Glossary of Literary Terms, 11th edn. (Boston: Cengage Learning, paper, 2015). 9781285465067

A good, comfortable English translation of the Bible, King James Version preferred, though its linguistic influence on Milton is slight.  The Geneva Bible might have more relevance.

The oldest e-text on Project Gutenberg is Paradise Lost (1674) dating from 1964-65.  The newer release is formatted with verse paragraphs.

The John Milton Reading Room (Prof. Thomas Luxon, Dartmouth)

The Milton-L Home Page (formerly University of Richmond)

Milton on Luminarium (Anniina Jokinen)

The Reason of Church-government urg'd against PRELATY (1641)

A Treatise of Civil Power in Ecclesiastical Causes; Showing That it Is Not Lawful For Any Power on Earth to Compel in Matters of Religion. (1659)

The Readie & Easie Way to Establish a Free Commonwealth (1660)

 

Course Description:

No writer has a better claim than John Milton to be master of the English epic, and this course will trace the evolution of his complex poetic genius. We will study the various influences, literary, biblical, political, ecclesiastical, classical, aesthetic, and academic that contribute to that genius, surveying the literature before and after Milton that derives much of its significance from his achievement. But we will concentrate mostly on a careful close reading of his English poetry and prose. His thought and language can be thoroughly exhilarating for a modern reader. A reading journal, several short papers, quizzes, midterm and final exams, and a seminar-style research paper may be required. Prerequisite: 6 hours of 2000-level literature course or consent of instructor.

Course Objectives:  

1. Comprehend the history of the language, its grammar and syntax, the arts of rhetoric, and the conventions of expository writing
2. Read extensively in canonical literature while learning to question the status and historical formation of the canon: master literary periods, terms, and major authors
3. Read intensively with formal concentration, discerning the quality of different literary modes and styles: know the historical conventions of literary form and be able to differentiate literary styles
4. Extend these methods of analysis to new works outside the canon and to works outside the sphere of conventional textuality
5. Understand various modes of literary criticism and be able to devise appropriate critical theses both in writing and conversation: know the major schools of criticism and be able to replicate their interpretative strategies
6. Show intelligence, imagination, and creativity in the formation and support of original literary interpretations
7. Relate the history of literary creativity to allied fields of humane activity: politics, arts, philosophy, theory and culture in general.

Grading Standards:

Class participation, writing exercises (numerical, total 5% of final grade). Quizzes on assigned readings (numerical, total 10%). Short essays and presentations (letter-grade, total 45%). Midterm exam (half objective-numerical, half essay letter-grade, total 20%). Final exam (half objective-numerical, half essay letter-grade, total 20%). Research paper (optional for extra credit). The final course grade is determined from the weighted total of the above in accordance with usual academic standards (ex: 90-100=A, 80-89=B, etc).  We decided the first week of class to issue final grades without plusses and minuses.

Attendance policy:

University-sponsored absences are cleared through the Dean of Students.  Attendance is essential in a class like this. Any time you must miss class you should contact me in advance and will be required to submit a two-page paper on a topic I'll assign dealing with the day's reading assignment as it appears on the syllabus. Two absences without advance notice or without the two-page paper being turned in at the next class period will signify that you do not intend to pass the class.  This policy accords with UW Regulation 6-713.

Academic Honesty is strictly enforced according to UW Regulation 6-802 �Procedures and Authorized University Actions in Cases of Student Academic Dishonesty�.

The Student Code of Conduct may be found by linking to the Dean of Students Office page.

Disability Statement: If you have a physical, learning, sensory or psychological disability and require accommodation, please let me know as soon as possible. You will need to register with, and provide documentation of your disability to University Disability Support Services (UDSS) in SEO, room 330 Knight Hall.

Any changes to the syllabus will be announced in class or on this course website, where the date of most recent revision follows:

Last updated Wednesday, 10 December 2014

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