Blurring the line between archive and dreamscape
Where the Heck is Yucca Fountain? includes three distinct installations. Explore Bert Tuttle’s desert workshop inside the UW Art Museum and his “mobile research lab” outside the Centennial Complex, near the entrance. Also, be sure to check out the pop-up satellite installation at Sunshine Coffee, 731 E. Custer St., Laramie, WY.
Image: Installation view of Bert Tuttle’s desert workshop at the UW Art Museum.

March 5, 2026 – Artist Panel Discussion
On Thursday, March 5 at 5:30 p.m., join Popinchalk and Bablo alongside University of Wyoming faculty members Lori Howe (Honors College), Maggie Bourque (Haub School of Environment and Natural
Resources) and Anthony Denzer (Department of Civil and Architectural Engineering and Construction Management) for
a panel discussion exploring the ideas and themes behind Where the Heck is Yucca Fountain? Reception at 5:30 p.m. with panel to follow at 6 p.m. This event will take place
at the UW Art Museum and is free and open to the public.
March 6, 2026 – Lunchtime Conversation
On Friday, March 6 at 12 p.m., the artists and UW Art Museum preparators will host
a Lunchtime Conversation in the galleries, offering visitors an opportunity to engage
directly with the exhibition and learn more about their creative process. This event
is free and open to the public.
March 7, 2026 – Artmaking Workshop
On Saturday, March 7 at 1 p.m., Popinchalk and Bablo will lead a hands-on artmaking workshop inspired by themes from the exhibition.
Participants will create hand-embellished and screen-printed boxes designed by the
artists. Beginners and experienced printmakers alike will enjoy this project and take home their own original artwork.
The art installations at the UW Art Museum are funded through the generosity of the Susan Moldenhauer FUNd for Contemporary Art, the Patricia R. Guthrie Special Exhibitions Gallery Endowment, WE Soda, and By Western Hands.
Special thanks to our collaborators at Sunshine Coffee and Middle Creek Ranch, Inc., and to Sterling “Stoney” Smith, Chief Preparator, and Anthony Teneralli, Collections Preparator, for working tirelessly with the artists on the installation.
The artists would like to thank Barry Stout for his help with exhibition audio & visual effects.
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