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Collection contains materials mainly relating to Throssel's photographic work of the Crow and Northern Cheyenne Indians from 1902-1933. Collection includes 2,481 photographs, glass plate negatives and lantern slides of daily life, ceremonies, portraits and village scenes of the Crow and Northern Cheyenne; what is now the Little Bighorn National Monument; daily life of Billings; Throssel and his family; ranching; and scenery of southern Montana and northern Wyoming (1902-ca. 1920s).
The Zdenek Salzmann Arapaho Indian research papers, 1851-1986, include photocopied materials from United States and foreign published journals and books, personal notes and research cards, cassette tapes, and film reels that document Dr. Salzmann's research and life's work on Native American cultures and languages.
John Roberts was an Episcopalian missionary who worked among the Arapaho and Shoshone peoples on the Wind River Indian Reservation in Wyoming. The collection contains numerous notes and drafts as well as printed versions of Robert’s translations of church literature into the Arapaho and Shoshone languages. Other material includes history of the region and biographical information about Roberts and his family, friends and prominent citizens of the area including Sacagawea.
The Baker and Johnston Photographic Studio was run by Charles S. Baker and Eli Johnston in Evanston, Wyoming. They are best known for their series of photographs of Native Americans primarily from the Shoshone, Arapahoe, and Apache tribes. Collection contains original glass plate negatives of Native Americans primarily from the Shoshone, Arapahoe, and Apache tribes, and includes portraits of Chief Washakie, Geronimo, and General Crook.
Farny was born in France in 1847 and as a child moved with his family to Cincinnati, Ohio. Farny took several trips to the American West in the 1880s. During his travels, Farny collected numerous Indian artifacts and photographs, while producing several sketches of his own. Returning to his Cincinnati studio, Farny worked from his own illustrations and memory, relied on his collection of artifacts, and occasionally employed live models to create his unique style of Western art. While his paintings of Native Americans were highly sought after during Farny’s lifetime, his work disappeared into near obscurity in the years following his death. Collectors rediscovered Farny in the 1960s because of increasing interest in the "true West."
In 1837, Alfred Jacob Miller was hired by William Drummond Stewart, a wealthy Scot, to be expedition artist for a journey to the rendezvous of 1837 in the American West. The rendezvous was a week-long gathering of fur trappers, Indians, fur company agents, and a few adventurers such as Stewart. Today, Miller’s sketches and paintings give us the only eye-witness visual account of the rendezvous period of the Rocky Mountain fur trade.