A "Floating World"
Binnie’s woodblock prints reflect deep dedication to the practice and art historical knowledge. They show reverence to the Japanese masters while integrating contemporary tastes and imagery. Some works feature tattoos or cell phones, some have been carved using an electric chisel, and many are rendered in vibrant hues. The artist has said, “Nowadays, there are so few people who practice this form of art, but I keep at it because the technique, for me, is the way to connect with past ukiyo-e artists whom I admire." The University of Wyoming Art Museum is fortunate to maintain an extensive collection of ukiyo-e prints, and a recent generous donation of seven Binnie prints. In this exhibition, we share Binnie’s works alongside the ukiyo-e works he draws inspiration from.
Binnie in Context was curated by intern Paola Terrazas Olmedo and curator Michelle Sunset.
Funded through the generosity of WE Soda and Warehouse 21, with sincere gratitude to Gerald and Joyce Lang.
![]() |
![]() |