dynamic brushstrokes and singular perspective
Paintings and works on paper from Maine, New York, and Florida were selected for Harold Garde at 100 to exemplify his distinct vision and the iconographies he returned to across decades. These recurring visuals include chairs, kimonos, puppets, pinnacles, vessels, and many examples of the strappo method developed by Garde. This expansive exhibition invites visitors to experience Garde’s dynamic brushstrokes and singular perspective. For more about the artist, visit haroldgardeart.com.
Funded through the generosity of the Patricia R. Guthrie Special Exhibitions Gallery Endowment, WE Soda, and Wyoming Public Media.
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