2027 UWYO Jazz Festival

2027 ArtistS AND ADJUDICATORS

We are very excited about this year's all-star lineup of amazing guest artists/adjudicators!  
Again this year, our guest artists/adjudicators will be offering INSTRUMENT SPECIFIC MASTERCLASSES* from 12:30 to 1:30 p.m.! Don’t miss this opportunity for your students to receive hands-on, INSTRUMENT SPECIFIC, workshops with our outstanding judges. 
*We’ve scheduled these classes in the middle of the day so that all participants have an equal opportunity to attend. We highly encourage all participants in this year's festival to attend these workshops. 

Matt Wilson playing the drums. Photo by John Abbott

photo by John Abbott

 

Few musicians embody the spontaneous energy of jazz quite like Matt Wilson, who was recently named 2018 Musician of the Year by the Jazz Journalists Association. The New York-based drummer combines buoyant zeal, idiosyncratic style, infectious humor, joyous swing and an indomitable spirit of surprise, making him one of the most in-demand players and educators on the modern jazz scene. He leads many distinctive ensembles: the Matt Wilson Quartet, Arts & Crafts, Honey and Salt, Big Happy Family, Topsy Turvy and the Christmas Tree-O.

 

With his two most recent recordings, Wilson has achieved the very rare feat of receiving two consecutive 5-star (masterpiece) reviews from DownBeat magazine. His latest album, Honey and Salt (Music Inspired by the Poetry of Carl Sandburg), was chosen as the 2018 Record of the Year by the Jazz Journalists Association and also received 5-star reviews from three separate All About Jazz writers, Irish Times and Diariofolk. The recording, his thirteenth as a leader for Palmetto, has also been recognized on over thirty “Best Of “ lists, including The Top Ten Recordings of 2017 lists by NPR, JazzTimes, Boston Globe, DownBeat, Jazziz, Cadence, Irish Times, Just Jazz, Stem Tempest and numerous other publications.

 

Wilson’s impressive discography numbers more than 400 CDs, including releases by his co-led trios Sifter and Trio M. He has performed with such luminaries as Dewey Redman, Herbie Hancock, Wynton Marsalis, Chris Potter, Paul Bley, Elvis Costello, Lee Konitz, Geri Allen, Andrew Hill, Jane Ira Bloom, Charlie Haden, Carla Bley, Marshall Allen, Joanne Brackeen, John Zorn, Cecil McBee, Paquito D’ Rivera, Ray Anderson, Pat Metheny, Joe Lovano, Candido, Buster Williams, Sheila Jordan, Gary Peacock, Kenny Barron, John Scofield, Bill Frisell, Hubert Laws, George Cables, Denny Zeitlin and many others.

 

Matt has been featured on the covers of DownBeat, JazzTimes, Modern Drummer, JazzEd, JazzTimes Educational Supplement, Jazziz, The New York City Jazz Record, Hot House and Coda magazines. He was voted Drummer of the Year by the Jazz Journalists Association in 2003 and 2011 and he topped the “Rising Star Drummer” category in DownBeat’s Critics Poll for five consecutive years, among numerous other accolades, including a 2011 Grammy nomination. In demand as an educator, he’s led workshops and master classes around the world and is on faculty at the New School, SUNY Purchase, San Francisco Conservatory, Sarah Lawrence College and Prins Claus Conservatory in Groningen, Holland.

 

 

“Any time you get a chance to hear Matt Wilson play drums—whether he’s a leader or sideman—take it, and be sure to sit front and center. He exemplifies the idea of the artist’s instrument and music being an extension of who they are as a human being. You can hear Wilson smiling behind the drum kit.” DownBeat

 

“There are a few more emphatically dazzling drummers working today, but almost nobody in Wilson’s peer group with a broader sense of jazz history, or a more natural sense of time, or a stronger signature as a bandleader, or more goodwill among his fellow players.” Jazz Times

 

 

“The drummer Matt Wilson is an ambassador of good feeling!”  New York Times

 

 

“Drummer Matt Wilson is one of the friendliest guys in jazz, and his music, even at its most complex, reflects that. It's unpretentious and full of easygoing swing.” National Public Radio

 

 

“As a body of work, Wilson’s Palmetto discs are among the most exciting in recent jazz. Conscious of history, exploratory, funny and mournful by turns, they keep the listener guessing and, better still, thirsty for more.”  Penguin Guide to Jazz

 

Alex Annan

 

Alex Annan is a bassist, and composer originally from Omaha, NE. Currently living in Lawrence, KS, Alex holds a Bachelor's Degree in Jazz Bass Performance from the University of Nebraska - Omaha and he is currently working a Master's Degree in Jazz Composition from the University of Kansas. Alex has released two albums under his name, Naeja in 2016 and Differences in 2019.

Seth Lewis

 

Music has been an essential part of life for Seth since he was a child, singing with his mother and playing numerous instruments until age 12 when he found the bass. His most recent recording, Dream Theme, produced by Octave Records is available on all platforms and he can be heard on many other recordings as a leader and a sideman. Thanks to his life in music Seth has travelled the world performing and teaching and has collaborated with celebrated jazz artists as well as performing with Broadway and Las Vegas shows. During his time in New York, Seth regularly appeared at well-known jazz clubs including Smalls, Smoke, Dizzy’s Club Coca-Cola, Cleopatra’s Needle and The Iridium. Some of the outstanding artists Seth has worked with include: Mulgrew Miller, Louis Hayes, Eric Alexander, Adam Nussbaum, David Hazeltine, Chico Freeman, Bobby Watson, Harold Mabern, Gabriel Mervine, Jerry Dodgion, Randy Brecker, Sheila Jordan, Dee Dee Bridgewater, Greg Gisbert, Dave Liebman, Eric McPherson, Abraham Burton, Josh Evans, Stacey Dillard, Dawn Clement, Alexis Cole, Benny Golson, Jeff Hamilton, Evan Sherman, Jonathan Barber, Emmet Cohen and many others. Seth studied privately and was mentored by two legendary bassists; the late Bob Cranshaw and Ron Carter. Seth has also studied with Christian McBride, Nat Reeves, John Lockwood, Martin Wind, Bill Charlap and Steve Davis. 


Seth has been awarded research grants from the Institute of Jazz Studies at Rutgers University and the University of Northern Colorado. His research has been published in Allegro Magazine (Feb. 2020) and he has presented research at the Jazz Education Network Conference and the International Society of Bassists Conference. Seth holds a Bachelor of Music degree from the Hartt School of Music and a Master of Music degree from William Paterson University and a Doctorate from the University of Northern Colorado. Seth currently teaches at Colorado State University, The University of Wyoming and the Stanford Jazz Workshop. Seth has previously taught at the Hartt School of Music, The Artists Collective, Newark Academy and the Litchfield Jazz Camp. Music is a gift that is meant to be shared and Seth is grateful for the continued opportunities he has to bring music to new audiences.

Ben Parrish

 

Ben Parrish is a guitarist, composer, arranger, and educator currently based in Denver, CO. A Seattle native, he moved to Greeley in 2012 where he attended the University of Northern Colorado. He graduated in 2015 with a Bachelor’s degree in jazz guitar and again in 2019 with a Master’s degree in jazz guitar from the University of Denver.

 

Ben plays in several different groups, including internationally-renowned rock band Milquetoast and Company, Dart Echo, indie-rock sensation Amazing Adventures, Thunder Hill Jazz Band, and RnB groups Unsus and SSIIGGHH. His studio experiences include work with MLQ, The Cairn Project, UNC Lab Band I, and numerous pop, RnB, and folk projects. Ben has performed at various music festivals including Music in The Mountains 2018 in Durango, CO with an orchestra comprising of members from the Dallas Symphony. His debut recording, “Song of the Forest” was released in 2015 and featured all original compositions. He has performed with musicians like Chris Potter, Debra Brown, and Brad Leali, and has experience performing on the Norwegian Jade cruise ship. In 2013, Ben won 1st place in the UNC Jazz Composition Contest. In 2018, he was a member of the Lamont Jazz Orchestra which won the Monterey Next Generation Jazz Festival. Ben currently plays throughout Denver in jazz settings, wedding bands, and rock groups both on guitar and bass.

​In addition to actively performing, Ben maintains a private teaching studio with students of all ages. 

Jonathan Saraga

 

Jonathan Saraga is a New York City-based, GRAMMY©-Winning trumpeter and
flugelhornist as well as an internationally-acclaimed composer, arranger, educator and Doctor of Musical Arts. He holds 3 degrees in jazz studies/trumpet performance, has earned over 35 musical accolades from 30 different organizations, and has garnered 25+ years experience performing, recording, competing and teaching on a global scale. He appears on 40+ studio albums, in 250+ YouTube videos, and has engaged with audiences in over 500 cities, nearly 70 countries and just short of 100 different universities worldwide.


Saraga has worked as a trumpeter and flugelhornist for many highly acclaimed and/or Grammy nominated/winning artists such as Maria Schneider, Jon Faddis, John Pizzarelli, Darcy James Argue, Orrin Evans, Arturo O'Farrill, Tyshawn Sorey, Jimmy Greene, Dan Pugach, Steve Coleman, Henry Cole, Remy Le Boeuf, Valery
Ponomarev, Steven Feifke, Migiwa Miyajima, Manuel Valera, Samuel Torres, Jihye
Lee, Erica Seguine, the Revive Big, the Birdland Big Band, the Mingus Big Band, the Terraza Big Band, and Brass Against. He has performed at premier NYC venues such as Carnegie Hall, Symphony Space, the Jazz Standard, Birdland Jazz Club, the Jazz Gallery, the Barclay's Center, Smoke Jazz Club, Jazz at Lincoln Center, Le Poisson Rouge, the Iridium, Joe's Pub, Fotografiska, Roulette, Smalls Jazz Club as well as Rockefeller Center to name only a few.


Jonathan's work has been recognized, featured and/or awarded by notable
organizations such as the International Trumpet Guild, the ASCAP Foundation,
Broadcast Music Incorporated, Chamber Music America, the Jazz Education
Network, the Association for Popular Music Education, the International Society for Improvised Music, United States Artists, the Millay Colony, the International Society of Jazz Arrangers and Composers, the Louis Armstrong Foundation, the Banff Center, the International Songwriting Competition, the Jazz Foundation of America, the United States Navy as well as the United States Air Force.
Critics have remarked that Saraga's original music is "skillfully conceived",
"exquisitely realized", "assertive" and "inventive" (Jazz Wise, U.K.) and that it
features "an uncommon freshness" (All About Jazz, U.S.). The U.K.'s 'Jazz Journal'
has called it "intriguing", and that it "comes out of the speakers with a rare confidence and finish, but without the smuggery and sheen that a lot of contemporary jazz has in place of real content." Jerry Gordon of Evidence Records has deemed it "brilliant", France's 'Jazz Magazine' notes its “astonishing maturity”, and McArthur-fellow, saxophonist and composer, Miguel Zenon has hailed it as "impressive", "very focused" and "well conceived." All About Jazz has also noticed an "uncommon freshness" from Jonathan's music and has even proclaimed it as "a stand-up-and-take-notice offering."

Altin Sencalar

 

Altin Sencalar is a California-born, Texas-raised, New York-based trombonist, composer, and educator whose voice in jazz is both personal and expansive. A Yamaha Performing Artist and Posi-Tone Records recording artist, Sencalar has toured and recorded with luminaries including Dee Dee Bridgewater, Christian McBride, Rodney Whitaker, and Michael Bublé, as well as soul icons the Temptations and the Four Tops.


Deeply informed by his Mexican and Turkish heritage, Sencalar’s music merges contemporary jazz with folkloric roots, creating a sound that is at once grounded and globally resonant. His work has drawn praise from DownBeat, All About Jazz, and the International Trombone Association Journal, the latter citing his “crystal-clear articulations and impressive control of the wide possibilities of the instrument.”


Sencalar studied at Texas State University and the University of Texas at Austin, where he toured internationally with the UT Jazz Orchestra and studied under Andre Hayward. After winning multiple national trombone competitions, he was invited to Michigan State University by trombonist Michael Dease, later joining Dease’s studio as a teaching assistant and building a national profile.
His discography includes Introducing Altin Sencalar (2017), Realization (2020), Reconnected (2021), and Live at Monks Jazz EP (2022). After relocating to New York, he made his Posi-Tone debut with In Good Standing (2023), followed by Discover the Present (2024) and Unleashed (2025), which earned four stars in DownBeat for its emotional range and technical command.
Now in his early thirties, Sencalar is a first-time parent and a lifelong student of the craft. His forward motion is constant — whether composing, performing, or mentoring others. “Consistency, awareness, and intention,” he says. “That’s what I live my life by in everything that I do.”

Wil Swindler

 

Composer and saxophonist, Wil Swindler currently resides near Denver, CO where he leads Wil Swindler's Elevenet, the modern bop quintet GoodRattle, and the Wil Swindler Quartet. In addition to his own bands, he is an active performer with the Peter Sommer Septet, Al Hood’s H2 Big Band, Colorado Symphony, the Ben Markley Big Band, the Colorado Jazz Orchestra, the Adam Bartzcak Republic, and many more. In addition to receiving IAJE's Gil Evans Fellowship in 2008, Wil has completed numerous commissions from jazz ensembles, military bands, and symphony orchestras around the world. Wil has three CDs available under his own name, Universe B (OA2 Records 2010), the Right Riot (2014) with GoodRqattle, and Chamber Jazz Ensemble (NohJoh Music 2006), and can be heard on numerous other albums including Ingrid
Michaelson’s Songs for the Season, Steve Owen's Stand Up Eight, Peter Sommer’s Happy-Go-Lucky-Locals, Al Hood/Dave Hansen's You're It, Bob Washut’s Journey to Knowhere, and David Caffey’s Enter Autumn and All in One.

 

Wil is an Instructor of Music and the Associate Director of Jazz Bands at Colorado State University, a position he has held since 2009. He is a frequent adjudicator for high school and college jazz festivals around the country and maintains a private saxophone/composition studio in the Denver area. Wil has served as an adjunct saxophone teacher and Jazz Ensemble director at Denver University, instructor at the University of Northern Colorado, composition teacher for the Colorado Conservatory of the Jazz Arts, faculty at the Yellowstone Jazz Camp, as well as the University of Northern Colorado Jazz Camp, and the Rocky Mountain Summer Music Camp.


Originally from Central Texas, Wil began studying music at age five, and picked up the saxophone at age nine. He earned a B.M. in Jazz Studies from the University of North Texas in 2001 where he played in, composed for, and recorded with the 1:00 Lab Band. While at North Texas, he studied with Jim Riggs, Paris Rutherford, Neil Slater, and others. In 2000 he attended the Henry Mancini Institute on a full scholarship from BMI, and received a commission the following year from HMI for a piece premiered at the Hollywood Bowl in Los Angeles. In 2001, Wil relocated to New York City, where he played with Toshiko Akiyoshi and Bill Warfield's NY Fusion Ensemble, among others. During his time in N.Y., Wil studied saxophone with Dave Pietro and composition with Michael Abene and Jim McNeely as a member of the BMI Jazz Composers Workshop. In 2003, he returned to his hometown of Austin, Texas, where he cofounded the 10-pc Chamber Jazz Ensemble and served as musical director for vocalist Kevin Ahart. Mr. Swindler has lived in Colorado since 2006 with his wife April Johannesen and daughter Annika.