Doug Russell

Department of Visual Arts

Department Head; Professor, Drawing

Contact Information

(307) 766-3269drussell@uwyo.edu

VA 110A / 236 / 238

He/Him/His

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Personal Website and Social Media
Black and white pencil drawing of brick arches in Croatia

B.F.A., Columbia College, 1990. 
M.A., University of Iowa, 1995.
M.F.A., University of Iowa, 1996.

 

Doug Russell is a visual artist who lives and works in Laramie, Wyoming. His work has been exhibited in solo shows at the Missoula Art Museum, the Helen E. Copeland Gallery in Bozeman, MT, the Leedy Voulkos Art Center in Kansas City, and the Urban Institute for Contemporary Arts in Grand Rapids, Michigan. His work has also been shown in numerous group exhibitions including The Big Draw at the William Havu Gallery in Denver, The Architecture of an Idea at the Alden B. Dow Museum of Science and Art, Evidence and Residues: An Investigation of Contemporary Drawing at Indiana State University, and three International Drawing Annuals (INDA) published through Manifest Creative Research Gallery and Drawing Center. His work is in several permanent collections, including The Museum for Architectural Drawing in Berlin and the Nelson-Atkins Museum of Art in Kansas City, Missouri. He currently holds the position of Professor of Art at the University of Wyoming where he is coordinator of the Drawing program and Head of the Department of Visual Arts.

 

Artist Statement

I build improvised and invented realities born out of my love of direct observational drawing of architectural and natural structures. With fragments and marks continually piling up, expanding, collapsing, and disappearing – the imagery and process of my work expresses the perpetual cycle of hopeful construction and inevitable decay in the tradition of the architectural capriccio.  The genesis for this work began more than twenty-five years ago while living and teaching in Turkey, a dense and layered landscape of ancient ruin and modern renewal. The most recent series, “At Once and Ever”, combines content and imagery from all of my travels – in Turkey, Cambodia, Bali and Java in Indonesia, Peru, Japan, Hawaii, and Croatia. This latest series explores self-similarity across size and scale using repeated structural fragments and marks, the tension of  implied spatial depth and the objective flatness of the drawn surface, and the interpretation of forms through the act of drawing.  The “Upon all of their tomorrows…” series specifically reflects my time among the ruins of the Angkor Wat in Cambodia and the Greek and Roman ruins of Turkey. The “The Persistence of Ruin” series uses layers of Mylar and Plexiglas to create an atmospheric and deep space. And through all of these series, in my studio grows an ever evolving architectural model, entitled Styropolis, constructed from discarded Styrofoam and cardboard. This architectural folly acts as inspiration and source material for other work – including stereoscopic photographs of Styropolis – often with other contemporary, historical, and art historical images projected onto the model.