American Heritage Center
Centennial Complex
2111 Willet Drive
Laramie, WY 82071
Phone: (307) 766-4114
Email: ahcref@uwyo.edu
Wyoming observed the one hundredth anniversary of its statehood in 1990. The Wyoming State Historical Society joined in the celebrations by commissioning the artist Dave Paulley to paint 30 key moments, places and people in Wyoming history. This retrospective commemoration brings together 24 of the paintings in the AHC’s Loggia. (The other six are on display at the state capital in Cheyenne and in Washington, D.C.).
Working with Wyoming historian T. A. Larsen, Paulley and the historical society zeroed in on both iconic and unexpected scenes. Beginning with a pair of Paleo-Indians examining the petroglyphs at Whoop Up Canyon, the exhibit includes the Verendrye Brothers, who in 1742 were the first Europeans in the area of Wyoming; the first passenger train in 1867; the first jury to include women in 1870; Buffalo Bill at Old Faithful, and the most recent scene, depicting George Hopkins parachuting onto the top of Devil’s Tower.
The painting above depicts Portugee Philips arriving at Ft. Laramie on Christmas Day, 1866, to tell the news of the “Fetterman Massacre,” a well-planned ambush of army soldiers.
The American Heritage Center’s George A. Rentschler Room is home to significant western paintings, including thirteen by Henry Farny and one by Frederic Remington. These paintings appear as they did in the library of Mr. Rentschler, a New York City businessman and western enthusiast.
Henry Farny (1847-1916)
After studying in Rome, Dusseldorf and Munich as a young man, Farny settled in Cincinnati. In 1881, he began traveling into the American West, including Wyoming. During his travels, Farny sketched, took photographs and collected Indian artifacts and photographs. Returning to his Cincinnati studio, Farny worked from his own illustrations and memory, relied on his collection of artifacts, and occasionally employed live models to create his unique style of Western art.
Despite this method of production, Farny’s Indian paintings are considered some of the most accurate of the genre. His paintings of Native Americans were highly sought after during Farny’s lifetime, although his work disappeared into near obscurity after his death. Collectors rediscovered Farny in the 1960s because of increasing interest in the “true West.”
Frederic Remington (1861-1909)
Frederic Remington studied art at Yale University and took his first trip into the American West in 1881, the same year as Farny. Although a failed businessman, he became famous as an illustrator of the West. His first full-page cover art work appeared in Harper’s Weekly in 1886 when he was just 25.
In the 1890s, he became a favorite of the American cavalry in the West, especially the troops led by General Nelson Miles. His numerous paintings of soldiers at this this time often used a monochromatic palate, which gave a sense of realistic, almost photographic, quality. The Rentschler Remington painting belongs to this period.
The Alfred Jacob Miller paintings from the Everett D. Graff family and Robert C. Graff art collections appear on permanent display in the American Heritage Center’s new Gallery One. A young American artist, Miller was commissioned by a Scottish noble, William Drummond Stewart, to document his expedition from the Missouri frontier to the 1837 Green River Rendezvous near modern Pinedale Wyoming. During the six-month journey with Stewart and the American Fur Company, Miller made more than 200 watercolor sketches. He used these sketches as the basis for large oil paintings he painted to hang in Stewart’s Murthly Castle in Scotland. Miller was the first European American artist to capture the interior of the Rocky Mountains. Some of the Murthly Castle paintings are now at the American Heritage Center.
The American Heritage Center is pleased to work with the UW Foundation to curate photograph and image exhibits for the Gateway Center. Three exhibits are now on display.
This exhibit features photographs drawn from numerous University of Wyoming collections—collections from UW departments, professors, presidents, students, and alumni—and now all held at the American Heritage Center. These photographs, both posed and candid, give snapshots of life in Wyoming and at UW since its founding in 1886. They offer invaluable glimpses into the everyday life of the university and around the state.
The Charles J. Belden Collection consists of approximately 3,000 original negatives. Most of the images were taken in the 1920s and 1930s on the legendary Pitchfork Ranch near Meeteetse, Wyoming. The Charles J. Belden Photographs Collection exemplifies the natural talent that Belden had for photography. His keen eye made for pictures that were beautifully contrasted and artistic. The Pitchfork Ranch was the star of a majority of Belden's photos, where he captured snapshots of all the hard, yet enjoyable, moments of ranch life in Wyoming.
This exhibit celebrates Yellowstone’s 150th anniversary. It is no secret that Yellowstone National Park is one of Wyoming’s most esteemed treasures, so it is no surprise that the University of Wyoming’s American Heritage Center features an abundance of collections that contain significant aspects of Yellowstone’s history.
American Heritage Center
Centennial Complex
2111 Willet Drive
Laramie, WY 82071
Phone: (307) 766-4114
Email: ahcref@uwyo.edu